Some libraries sell music.
ScoreKeepers Music sells workflow.
With a catalog exceeding 140,000 tracks and a proprietary search platform called The Supervisor, ScoreKeepers positions itself not just as a production music library, but as an integrated system built for editors, post teams, and network television.
In high-volume television, speed is currency. Deadlines are brutal. Budgets are controlled. Cue sheets are mandatory. If a library does not streamline all of that, it becomes friction.
The real question is not whether ScoreKeepers has placements. The credit list alone answers that. The question is whether its infrastructure and scale translate into meaningful opportunity for composers and practical advantage for supervisors.
What Score Keepers Music Is
ScoreKeepers Music operates as a large-scale production music company serving television, film, and broadcast media. Central to its identity is The Supervisor, an internal search application designed to give editors and supervisors direct, intuitive access to its 140,000+ track catalog.
The platform allows users to:
- Search and preview music instantly
- Create playlists
- Export directly to Avid, Final Cut, and Premiere
- Generate cue sheets using a built-in Cue Sheet Maker
That feature set tells you exactly who this company is built for: post-production professionals under pressure.
Where It Fits
ScoreKeepers fits best for:
- Television production companies
- Reality and unscripted programming
- High-output episodic series
- Editors who need immediate clearance
- Networks requiring structured cue sheet compliance
Its extensive credit list reinforces that positioning. Titles include The Amazing Race, American Idol, MasterChef, Better Call Saul, Shameless, NOVA, Thor: Ragnarok, Avengers: Age of Ultron, Star Wars: Rebels, and numerous Discovery, TLC, MTV, and network television staples.
This is not a boutique cinematic indie library. It is embedded in mainstream television infrastructure.
Real-World Use: Why Infrastructure Matters
High-volume television production runs on repetition. Shows like The Amazing Race, Snapped, MasterChef, or long-running reality franchises require constant music turnover.
In that environment:
- Editors cannot waste time on slow search systems
- Music must be pre-cleared
- Export compatibility with Avid and Premiere matters
- Cue sheets must be delivered accurately
The Supervisor application directly addresses those needs. Built-in cue sheet generation alone is a major differentiator. Cue sheet mistakes delay PRO payments and create administrative headaches.
For production teams, this is not a luxury feature. It is survival.
For composers, it signals something equally important: this company is integrated into broadcast pipelines where backend performance royalties are part of the ecosystem.
Strengths
1. Massive Catalog Scale
With over 140,000 tracks, ScoreKeepers offers breadth that supports diverse programming needs.
2. Deep Television Integration
The credit list spans major networks including CBS, FOX, NBC, ABC, AMC, Showtime, Discovery, TLC, MTV, Bravo, A&E, and more.
3. Proprietary Search Platform
The Supervisor system is built specifically for production environments, not just casual browsing.
4. NLE Export Compatibility
Direct export to Avid, Final Cut, and Premiere shows alignment with real post-production workflows.
5. Built-In Cue Sheet Maker
Integrated cue sheet functionality reduces administrative friction and signals professional infrastructure.
6. Awards and Recognition
Multiple Emmy wins and nominations, BMI Film & TV Music Awards, and additional industry honors reinforce broadcast credibility.
Weaknesses
1. Scale Can Reduce Visibility
In a 140,000+ track catalog, individual composer visibility depends heavily on internal positioning and editorial demand.
2. Volume-Oriented Environment
High-output television environments may prioritize functional cues over highly experimental artistry.
3. Limited Public Transparency on Composer Terms
As with many large production libraries, detailed contract structures are not publicly outlined.
4. Competitive Entry
A library operating at this broadcast level is selective in roster expansion.
Competitive Context
ScoreKeepers competes in the large-scale television production music lane.
It differs from boutique sync agencies by prioritizing workflow systems and post-production integration. It differs from stock marketplaces by embedding itself directly into network pipelines.
Its competitive edge is not branding flair. It is operational integration.
Final Judgment
ScoreKeepers Music is best suited for composers who understand television pacing, cue turnover, and the realities of episodic production.
If your music fits reality TV, competition shows, documentary series, and network programming, this type of infrastructure can create recurring backend opportunity.
It is less aligned with composers seeking boutique cinematic placements or artist-forward branding.
ScoreKeepers is not trying to be trendy.
It is trying to be indispensable to editors.
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