Some production music libraries are built around volume. Others are built around relationships. A smaller group attempts to combine scale, creative services, and publishing infrastructure into one centralized system.
Bedtracks positions itself as that hybrid.
Founded in 2011, Bedtracks presents itself as more than a searchable music library. It markets a catalog of over 85,000 curated tracks alongside custom scoring, publishing administration, blanket licensing, sound design, and full-service audio production.
This review breaks down where Bedtracks fits in the global production music ecosystem, how it functions in real-world workflows, and whether it represents a serious opportunity for composers building long-term sync income.
What It Is
Bedtracks is a production music library and audio services company offering a large pre-cleared catalog for television, film, advertising, streaming platforms, digital media, and branded content.
At first glance, it looks like a traditional searchable production library. Editors and supervisors can browse tracks by genre, mood, tempo, and instrumentation. The catalog exceeds 85,000 tracks from composers worldwide.
But Bedtracks does not stop at catalog licensing.
The company also offers:
- Custom theme songs and custom scoring
- Sonic branding
- Music supervision support
- Sound design and broadcast audio mixing
- Voice casting
- Music publishing and royalty monetization services
- Custom library development
That scope places Bedtracks closer to a full audio production partner than a passive upload marketplace.
One of its most distinctive features is the multi-production blanket license model. This allows certain clients to license music across multiple productions under a unified agreement, sometimes structured as a gratis model for ongoing relationships.
That licensing architecture signals a focus on enterprise media relationships rather than one-off micro sales.
Where It Fits
Bedtracks occupies a mid-to-upper tier global production music position.
It does not operate at the multinational corporate scale of Universal Production Music or Warner Chappell Production Music, but it clearly serves major broadcasters and streaming platforms.
It is also structurally different from open contributor marketplaces like AudioJungle or Pond5, where discovery depends on search ranking and contributor upload volume.
Instead, Bedtracks fits into the full-service production music and audio partner lane. It combines:
- Large searchable catalog
- Direct client relationships
- Blanket licensing infrastructure
- Custom composition capabilities
- Publishing administration support
This positioning attracts established production companies, networks, and agencies who need both ready-made music and custom solutions under one roof.
Real-World Use
The workflow implications are significant.
Libraries that offer blanket licensing and multi-production agreements prioritize consistency and reliability. That means composers working within this ecosystem must deliver:
- Broadcast-ready mixes
- Clean rights ownership
- Properly registered publishing
- Stems and alt versions on demand
- Editorially predictable structure
The blanket model also shifts focus from per-license micro payments toward long-term backend royalties and repeat placements.
If your track enters a series that operates under a blanket agreement, your backend performance royalties become the real revenue engine.
Bedtracks’ publishing services suggest they actively support royalty monetization rather than leaving composers to navigate that infrastructure alone.
For media buyers, the advantage is simplicity. One relationship covers:
- Catalog licensing
- Custom scoring
- Sound design
- Music supervision
- Publishing administration
That consolidation matters for production teams operating on tight deadlines.
Strengths
Large Curated Catalog
A deep catalog increases stylistic flexibility across diverse production needs.
Blanket Licensing Infrastructure
Multi-production licensing agreements create stability for enterprise clients and recurring placement potential for composers.
Full-Service Audio Capabilities
Custom scoring, sonic branding, and sound design expand placement opportunities beyond passive library inclusion.
Publishing and Monetization Support
Integrated royalty administration strengthens long-term revenue tracking and collection.
Proven Media Relationships
Public-facing client associations with major broadcasters indicate active industry integration.
Weaknesses
High Internal Competition
With over 85,000 tracks, standing out requires exceptional production quality and strategic alignment.
Less Boutique Identity
Large catalogs can dilute individual composer branding.
Limited Public Transparency on Composer Splits
Detailed contract structures and revenue percentages are not prominently published.
Enterprise Focus
The model appears geared toward established production partners rather than emerging independent uploaders.
Competitive Context
The three most comparable libraries to Bedtracks are West One Music Group, Audio Network, and APM Music.
West One Music Group similarly operates with global sub-publishing infrastructure, album-driven releases, and structured broadcast integration.
Audio Network combines curated production albums with strong enterprise licensing relationships and editorial search tools.
APM Music represents the large-scale production music ecosystem with extensive broadcast penetration and centralized licensing systems.
Bedtracks competes within this enterprise-facing production music tier rather than within subscription stock platforms or open upload marketplaces.
Final Judgment
Bedtracks is best suited for composers and producers who:
- Deliver broadcast-ready production quality
- Own clear publishing and master rights
- Understand long-term backend royalty strategy
- Can compete inside a large curated catalog
It is not ideal for casual contributors or producers seeking fast upload monetization.
If your goal is to integrate into enterprise-level production environments with both catalog and custom scoring potential, Bedtracks represents a structured, relationship-driven platform.
The deciding factor is not catalog size. It is whether your music can survive inside it.
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